© 2024 Maine Public

Bangor Studio/Membership Department
63 Texas Ave.
Bangor, ME 04401

Lewiston Studio
1450 Lisbon St.
Lewiston, ME 04240

Portland Studio
323 Marginal Way
Portland, ME 04101

Registered 501(c)(3) EIN: 22-3171529
Play Live Radio
Next Up:
0:00
0:00
0:00 0:00
Available On Air Stations
Scroll down to see all available streams.
106.5 WMEF-FM in Fort Kent is off the air for needed maintenance and upgrades including a new antenna installation. This work is estimated to last thru Friday. We apologize for the disruption.

Part 3: Just Act

Just as soon as the Stanislavsky-Strasberg "Method" of acting rose to prominence, it started getting a bad name. Complaints about Marlon Brando's mumbling appeared side-by-side with reviews of his brilliant acting. For some actors, the Method became an ossified idea instead of an evolving system -- which is what Stanislavsky first envisioned it to be.

In the last of her three-part series, NPR's Lynn Neary says some prominent actors are rejecting the excesses of the Method and instead taking emphasis off the actor and putting it back on the written script.

Before Virginia Madsen landed an Oscar nomination for her portrayal of the sensual, sensitive waitress Maya in Sideways, she spent a lot time languishing in B movies and worked with a lot of different kinds of actors -- and she developed a healthy skepticism about the Method. Madsen says for some actors, the Method has become little more than an annoying self-indulgence.

Actor William Macy and playwright David Mamet formed the Atlantic Theater Company in 1983, inspired by Stanislavsky and their passion for ensemble acting. But Macy tells Neary they were also determined to reject the excesses of the Method, focusing instead on exploring a variety of ways of interpreting a scene. And at a certain point, it's academic -- an actor simply must act.

Copyright 2022 NPR. To see more, visit https://www.npr.org.

Lynn Neary is an NPR arts correspondent covering books and publishing.