Annalisa Quinn
Annalisa Quinn is a contributing writer, reporter, and literary critic for NPR. She created NPR's Book News column and covers literature and culture for NPR.
Quinn studied English and Classics at Georgetown University and holds an M.Phil in Classical Greek from the University of Cambridge, where she was a Cambridge Trust scholar.
-
"[P]erhaps the best thing creative work can do is to compost into the soil so that, unremembered, it becomes the food of a new era, or rather, devoured, digested, the very consciousness of that era."
-
In Quan Barry's charming novel, a team's luck changes when its members pledge themselves to the forces of eternal darkness by signing a spiral notebook with Emilio Estevez's face on it.
-
Gish Jen's new novel takes place in a dystopian future country called AutoAmerica, where the swamp-dwelling underclass — called "Surplus" — are set against the fair-skinned, land-dwelling "Netted."
-
In his new book, The New Yorker's Joshua Yaffa is as much an ethicist as he is a reporter, presenting a portrait of the Russian state through those who have decided to compromise with it.
-
The book ties the killing of his story on Harvey Weinstein's alleged sexual misconduct to a pattern of harassment and abuse within NBC — including payouts and rape allegations against Matt Lauer.
-
The MSNBC host's book compiles the most convincing research and journalism on the harm oil and gas have done to global democracy, and then weaves together a narrative of greed, power and corruption.
-
Ta-Nehisi Coates' new novel, set during the era of slavery, follows a young black man who discovers that his memories trigger a mysterious power of teleportation that can help escaped slaves flee.
-
At points, it is hard to read Miller's devastating, immersive memoir and breathe at the same time. Miller is an extraordinary writer, with her sharpest moments focusing on her family and their grief.
-
James Poniewozik's book is both brilliant and daring, particularly when it comes to Trump's image-making. But there's a gap, the one between image and audience, that doesn't get enough attention.
-
New York Times reporters Jodi Kantor and Megan Twohey broke the story that ended the Hollywood producer's alleged reign of terror and helped to ignite the #MeToo movement.