Jason Sheehan
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Kim Stanley Robinson's new book kicks off with a murder on the moon — which sounds exciting, but Red Moon spends too much time wandering off on digressions about science, technology and politics.
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Kate Atkinson's new novel follows a young woman recruited to Britain's MI5 spy agency during World War II. Juliet's wartime deeds may come back to haunt her — but she still has her old spy skills.
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Lawrence Osborne's new Marlowe novel brings us a version of the gumshoe in his 70s, lonely and slow, looking into another mysterious death. It's a book that seems simple, but hides cavernous depths.
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Paul Tremblay's new novel is the best (and scariest) kind of horror — the quiet, believable kind of story that doesn't involve possessed dolls or body doubles, and could absolutely happen to you.
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Laura Anne Gilman winds up her Devil's West trilogy with a fascinating story of tension and friction between old friends and new enemies, marred only by some odd choices at the end.
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Katie Williams' debut novel follows a woman who works for a company that can tell you infallibly how to become happy — and a drifting group of characters who aren't really looking for happiness.
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In Lauren Groff's gorgeous, precise new story collection, Florida is a haunted place, full of eyes in the darkness — and angry, restless women, always on the move, always searching for something.
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Our occasional series on storytelling in video games returns with a look at the survival simulator The Long Dark, which uses sound and silence to build a world not long into some terrible disaster.
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Chuck Palahniuk's new novel is a black-hearted satire that imagines an America in which angry men engineer a purge of everyone who's ever upset them — and then have to rebuild the country afterwards.
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John Scalzi returns to the world of Lock In — where people incapacitated by a strange disease can re-enter the world through robot avatars — for a murder mystery that turns on a cat named Donut.