Opera in the Pines presents the Maine premiere of Robert Ward’s The Crucible in an immersive theater experience that summons the audience as the jury of the infamous Salem Witch Trials of 1692. When the women of Salem are accused of witchcraft, we witness the betrayal of an entire community; the ruthlessness of the prosecutors, the eagerness of neighbor to testify against neighbor, and the destructive power of socially sanctioned violence. This haunting reminder of witch hunts throughout history, that still exist in the present day, forces us to confront the fundamentals of human nature and question the systems by which power is sustained, challenged and lost.

The Crucible was commissioned in 1961 by the New York City Opera. With a libretto by Bernard Stambler, the opera is based directly on the Arthur Miller play and famously inspired by the McCarthyism of the 1950s. Miller implied that the Red Scare once again sacrificed innocent people to public hysteria. When he was called before the House Un-American Activities Committee in 1956, Miller refused to supply names of people he met years before at an alleged communist writers’ meeting. Ward’s operatic version went on to win the Pulitzer Prize and a New York Music Critics Circle Citation.

In this new adaptation where the roles of the classic play are reimagined, Opera in the Pines will feature a cast entirely of Maine singers and professional ballet dancer, Grace Koury, of Portland Ballet, joined by Abi Levis, a South Portland native, in the role of Elizabeth Proctor. Abi Levis has been recognized as one of the most exciting and versatile performers of her generation, performing with LA Opera, Utah Opera, Dallas Opera, Opera Philadelphia, and Deutsche Oper Berlin, among others.

The performance will be 80 minutes, performed without intermission, and sung in English with English supertitles.

Opera in the Pines is also excited to offer a pre-show series for this production. Hosted in The Old Red Church prior to the performance, these exclusive gatherings will provide the unique opportunity to learn more about the historical context of the opera, or an inside look into adapting a classic for the modern audience. Please note this is an additional ticketed event.

• Friday & Sunday: Emerson “Tad” Baker, Professor of History at Salem State University and author of A Storm of Witchcraft. Tad is well known in academic circles for his extensive work on witchcraft in Colonial America. He will discuss the past and present Maine connection to the Salem Witch Trials.
• Saturday: Sable Strout, Artistic Director of Opera in the Pines and Production Director of The Crucible. Sable will discuss the process of adapting traditional operas for new spaces and audiences, what to anticipate during The Crucible, and the kind of work you can expect from Opera in the Pines in the future.

General Notes:
• The Pre-Show will take place from 5:30 - 6:15. Doors open at 6:30 PM.
• All seating is general admission and first come, first serve.
• Please be advised that this is a non-traditional performance venue. You may experience restricted sightlines, alternative seating options, and walking over uneven ground. Portable restrooms will be accessible on site a short distance from the meetinghouse.
• The Old Red Church, formerly First Parish Meetinghouse, is equipped with traditional box pews.
• The Old Red Church is a registered landmark and historic meetinghouse, and as was the way of colonial New England, early meetinghouses were not heated or insulated. Traditionally, families would sit together in a box pew. The walls were thought to minimize drafts, keeping the occupants relatively warmer in the winter, and it was common for families to bring foot warmers, stools, and blankets to meeting. It’s May in Maine and anything is possible, so we encourage you to bring an extra layer, or even a blanket, for when the sun goes down!
• Parking will be available at Standish Congregational Church, 25 Oak Hill Road, Standish, Maine.

For more information, please visit operainthepines.com.